London has already given away the ending, as a result of his constant focus of the effect the environment has on the man not knowing the means of survival that the dog knows. The central character—like Neil Bonner and the Ancient Mariner—has a misconception that must be changed, for living in such ignorance is a kind of death.
London shapes the end of the story so that his readers could feel two different ways about the man. The gloominess of the setting instills feelings in the man and the dog, of a constant battle with this world of depression they are in.
Panicking, the man ran around with great effort, for the last time trying to change his inevitable fate. The only help he was given for the situation, was the advice of an old timer from Sulphur Creek. Both the dog and the man understood the horrible fate of what was happening to the man.
The one was the toil slave of the other, and the only caresses it had ever received were the caresses of the whip lash and of harsh and menacing throat sounds that threatened the whip lash.
By doing this, he leaves us with the concept of the man dying alone, with the boys finding his body the next day.
The fable unfolds as a journey taken in the face of serious danger in which the conflicts between man and nature and between man and dog provide the drama. In "To Build a Fire," Jack London uses the third-person point of view to tell the story of a naive young man in the Yukon Territory who ventures into the wilderness when the temperature starts to drop to 50 degrees below zero.
In second-person point of view, the main character of the story is referred to by the pronoun "you" or "your. The young man is warned against going too far into the wild, but he does not listen because of his arrogance. There are UK writers just like me on hand, waiting to help you. The man, unlike Everyman, undergoes no redemption; nor, like Neil Bonner and the Ancient Mariner, does he return to civilization changed by the intensity and significance of his experience.
If the man was to come upon serious danger, the dog would not be eager to offer itself for help. What merit editors find in it, I can only speculate; but I imagine that it is admired as a fine example of a suspenseful story with a strong theme presented in vivid, realistic detail.
He is alert and careful; but even so he accidentally breaks through the surface of a frozen stream and gets his feet wet. There he has experiences, including a liaison with Jees Uck, a native girl, which give him new insights and values. The dog by nature, is an animal that has an innate gift of instinct.
Not being concerned with anything remotely imaginative, the man put himself in a position to expect death. Lacking the ability of instinct and imagination, the man was unable to survive death.
Before turning to a discussion of the characters, I must call attention to several details of the setting that seem to me symbolic. He was utterly, and hopelessly losing his battle with the frost. The narrator is an outsider who tells the reader a story about the main character. Jack London uses certain techniques to establish the atmosphere of the story.
In closing, the setting is the most probable cause why the man could not overcome his death. These he takes back to civilization where he becomes a prominent member of his society. This fear quickly became poignant as he realized that it was no longer a mere matter of freezing his fingers and toes, or losing his hands and feet, but that it was a matter of life and death with the chances against him.
Under the cold conditions, the dog has the ability to survive because it has always known how.The point of “To Build a Fire” is man’s naive notion that he is strong enough to overcome nature’s harshest obstacles. The protagonist, referred to as the “man”, must survive in the freezing weather of the Yukon.
In this lesson, students will closely read "To Build a Fire," understand the use of narrative point of view, and debate the distinction between knowledge and instinct.
Students can then learn about the elements of literary naturalism and how they relate to London's work. Point of view is a narrative technique that shows the reader who is telling the story. In "To Build a Fire," Jack London uses the third-person point of view to tell the story of a naive young man in the Yukon Territory who ventures into the wilderness when the temperature starts to drop to 50 degrees below zero.
The point of view in "To Build a Fire" is third-person omniscient. In other words, the narrator stands outside of the story and refers to the characters in the third person ("he," "the man," "the dog," "it") and sometimes comments on their behavior and personalities. Essays and criticism on Jack London's To Build a Fire - To Build a Fire, Jack London To Build a Fire, Jack London - Essay Jack London and the point of the story is not that the man freezes.
Free To Build a Fire papers, essays, and research papers. My Account. Your search returned over The author uses the 8 aspects of fiction to reflect his point of view that it takes brains to survive. The characters in the story are used to keep the story going and help the author come across to his audience.
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